A churchyard of local celebrities

  On March 23, 1775 Edward Carrington stood outside the window of what is now known as St. John’s Church. A group of about 100 of America’s earliest leaders gathered at the small church in Richmond’s East End for the Virginia Convention.

Pictured: Ray BairdPhoto by Alix Hines
Pictured: Ray Baird
Photo by Alix Hines

    Patrick Henry, a man known as a powerful orator stood near the window and delivered a speech that would go down in history as his Give me Liberty, or Give me Death speech. His speech swayed members of the Virginia House of Burgesses to send Virginia’s militia to the front lines of the Revolutionary War. Henry’s words rang out amongst the crowded room and into the churchyard where Carrington stood:

It is in vain, sir, to extentuate the matter. Gentlemen may cry, Peace, Peace–but there is no peace. The war is actually begun! The next gale that sweeps from the north will bring to our ears the clash of resounding arms! Our brethren are already in the field! Why stand we here idle? What is it that gentlemen wish? What would they have? Is life so dear, or peace so sweet, as to be purchased at the price of chains and slavery? Forbid it, Almighty God! I know not what course others may take; but as for me, give me liberty or give me death!

      A buried history lies in Richmond’s St. John’s Church, which is the first public cemetery in Richmond.  It is a place known across America for being the site of Patrick Henry’s Give me Liberty, or Give me Death speech, but even more history lies beneath the surface of the churchyard.“The most important speech in all of American history, was Patrick Henry’s Give me Liberty, or Give me Death speech. Now it’s probably not the most popular but it’s the most important. People like to say the Gettysburg Address or King’s I Have a Dream speech but those were aimed at certain groups of people. This speech was aimed at America,” Baird said.

    Baird explained that there are roughly 13,000 people buried in the churchyard, many of which lie in unmarked graves. The churchyard is the final resting place for many of Richmond’s most prominent figures, as well as the average citizens who lived during the colonial era.

     Originally, Baird explained, William Byrd II, the founder of Richmond, designated half of the block where St. John’s Church is located to the Anglican Church of England. After the church was completed in 1741, Baird said people immediately began burying their deceased loved ones there. At that point, he said, the cemetery belonged to the church and was on the south half of the block. 


The churchyard was later expanded because the City of Richmond needed a public burial ground. The city then purchased the north half of the block to establish the first public cemetery.    

     “When people first started to be buried, a lot of them didn’t have a lot of money, so the graves were marked with simple stones, piles of stones and wooden crosses. They have long since gone. There are bodies all under the sidewalk,” Baird said.

       He explained that the churchyard didn’t have a fence around it during the colonial era so people’s farm animals wandered freely in the churchyard and rooted around in the graves. At the time the law did not require anyone to pen their animals, so the only way to keep them out was to build a fence.

        Baird added that many of the tombstones were not added for looks, but to keep animals from destroying the graves. However, only the wealthy were able to protect their graves. 

        Throughout the churchyard, Baird pointed to areas of decay. The epitaphs on some of the tombstones have faded or washed away, but Baird pointed out that some have been preserved by the family of the deceased. He explained that many of the tombstones were made of sandstone which weathers more quickly than slate. As the church expanded, Baird added, some of the graves were built over.

        Although the physical decay of the cemetery is visible to tourists, visitors are lured by the history and the stories that surround the churchyard.

        Sueann McCauley, a Charlottesville resident, said that she and her husband, Byron McCauley, and her friend, Jacqueline Hollinge, have been on a historical tour since Friday. She said they were on a tour to learn more about the Revolutionary War and the founding fathers.

         Sandi Bergman, the ghost host at Haunts of Richmond, who gives haunted ghost tours around Richmond, said she decided to feature St. John’s Churchyard in the Church Hill Chillers tour because there are some great ghost stories surrounding the churchyard. She added that many of the stories are based on historical events.        The stories surrounding St. John’s Churchyard range from a ghost story about an apprentice gunsmith to a man buried outside of the window where Patrick Henry gave his famous speech.

         Bergman said that her favorite ghost story is about a man named Daniel Denoon whose ghost doesn’t like to be confined to the churchyard. Denoon, she said, was an apprentice to a well known gunsmith, James McNaught. Before his death, Denoon completed his internship and was working as an office manager in McNaught’s shop. McNaught knew Denoon’s popularity as a gunsmith had grown and he feared losing him at the shop.

         According to Baird, McNaught, having reached a drunken state one day, called Denoon to the top of the steps of the shop, located around 18th and Franklin Street, and shot him.

         “People are fascinated to find out stories because it [St. John’s Church] is such a famous church and it’s been there so long. So many people know, at least to a degree, the Patrick Henry story. They are just fascinated to find out more about the church. They don’t all know a whole lot about it so they are interested to find out who’s buried there, why they’re buried there, and, of course, the stories of why they’re still walking around,” Bergman said.

          Baird explained that St. John’s Churchyard is also the final resting place of Edgar Allen Poe’s mother, Elizabeth Arnold Poe, who died of tuberculosis.

          Elizabeth Arnold Poe was very well liked in Richmond, Bergman said, but she was an actress which was not an appropriate career for a Christian woman during that time. However, because she was so well liked, the church parishioners petitioned the fathers of the church to allow her to be buried in the churchyard.

          The fathers of the church agreed, Bergman said, but they would not allow her to have a headstone.

           Baird explained that her body was placed in the south east corner of the graveyard five steps away from a yew tree, known as a symbol of eternal life. The location of her approximate burial plot is now marked by a tombstone with a small yew tree planted beside it.

           Edgar Allen Poe has yet another connection to the churchyard, Baird explained. A brick building visible just beyond the trees in the south portion of the churchyard was the home of Elmira Shelton according to Baird. Shelton is said to be Lenore, the subject of Poe’s The Raven.

           Baird explained that Poe was said to have visited her in her home two days before he left for Baltimore where he died. Although Shelton never publicly admitted it, Bard said there is speculation that she and Poe were engaged just before his death.

            Baird emphasized that although Poe was born in Boston, he considered Virginia home, so that itself is an important aspect of the history here.

            “It [touring historical places] makes more of an impression than reading in a book and looking at a picture of it. They’ll [children] remember doing things because it’s tactile,” Gray said.            Katherine Gray, a Chesapeake resident, said she brought her family to visit the churchyard because when she was a child she was “dragged” around Virginia to different historical sites and it made a positive impact on her.

            Sueann McClauley said that after growing up in the western portion of the United States and learning history from a different perspective, she has enjoyed living in Virginia and being able to experience places like St. John’s Churchyard that allow tourists to walk in the footsteps of people such as some of the founding fathers.

Time Traveling: The 150th Anniversary of the Civil War

About 150 years ago, history teacher Ruth Johnson’s great, great grandfather arrived in the United States as one of the many three-hundred dollar soldiers joining the fray during the Civil War. On the boat from Europe, he met the young lady he would eventually fall in love with.

When they arrived in America, the two soul mates parted ways. She went to live with her family in Cincinnati, Ohio, and he went on to Philadelphia to join the Union army to take the place of a man that didn’t wish to fight for the North. He later relocated to Cincinnati where fate took over and he encountered his love once again.

“They were walking on opposite sides of the street along one of the main streets in Cincinnati and they saw each other again…” Johnson said.

Johnson explained that 13 kids and several generations later, she’s working to learn more about her great, great grandfather. Recently, she found his mustering out papers so she hopes that the government will place a tombstone on his unmarked grave.

Not every Civil War story is a love story, but the Virginia Sesquicentennial of the American Civil War Commission is working to document as many stories from across Virginia during its commemoration of the 150th anniversary of the Civil War as possible.  The commission was established in 2006 by the General Assembly of Virginia. The commission is responsible for five different projects within Virginia to commemorate the Civil War. These projects include An American Turning Point: The Civil War in Virginia, which is a gallery exhibit and a panel exhibition; a history mobile; the Civil War 150 Legacy Project, which is a digitization project through the Library of Virginia; conferences traveling to universities across the state; and a Sesquicentennial DVD.

The digitization project, according to Andy Talkov, the exhibition coordinator for Virginia’s Civil War Sesquicentennial, is attempting to collect documents from across Virginia relating to the Civil War and emancipation. Talkov explained that the goal is to put these documents into a digital format and make them available to the public online.

“I think the thing that’s true about all of these projects is that the project goes to the people as opposed to the people having to come to the project,” Talkov pointed out.

He explained that the exhibit will be traveling to eight regionally diverse museums across the state so most Virginians over the next four years will only be about an hour away from the exhibit.

Dennis Bidwell, a resident of Morgantown, W.Va., came to Richmond for his eldest son’s wedding but he stopped by the Virginia Historical Society to look at the Civil War exhibit. He explained that he grew up in Michigan, so he learned the Union version of Civil War history.

Bidwell said he thought it was important to come to Richmond to see a different perspective on the war. He said that the exhibit made him realize the impact the Civil War had on the country.

The exhibit is divided into two sections, “Surveying War” and “Waging War,” according to Jennifer Guild, senior officer for public relations and marketing at the Virginia Historical Society.  Guild emphasizes that dividing the exhibit into two sections was the best way for the Virginia Historical Society to tell the story of women, enslaved African-Americans, and children who were just as much a part of the war as the men fighting on the front line.

Talkov explained that because the exhibit had to be modular so it could travel around the state, the commission chose to tell the story of the Civil War in a “thematic way.” He said that people usually come to a museum to see the material history or all the “stuff,” but the commission wanted to make the exhibit more about the people associated with the objects.

The commission, Talkov said, came up with criteria for choosing the objects that would be on display. He explained that the commission decided to only display an object if they had a photo or portrait to go with it. Talkov said the commission focused on connecting the objects to a person to tell that person’s story.                       

The watch on display in the exhibit belonged to Thomas Jonathan Jackson, who is best known as “Stonewall Jackson.” Talkov said that it is understood that “Stonewall Jackson” had a system where his troops would march for 50 minutes and then rest for 10 minutes.

Talkov explained that the exhibit is designed to make the audience think about Jackson’s use of the watch.

A Confederate uniform coat is one of the other objects on display in the exhibit. Talkov explained that most exhibits like this one would tell an audience about the man who wore the coat and all the battles he fought. Instead, the commission chose to tell the story of the women who made the uniforms.

Talkov said groups of women came to a Richmond clothing depot where they were given packets to produce the uniforms. The women would sew each stitch by hand and, upon returning the uniform, would receive a payment.

“In a way it’s kind of the Rosie the Riveter version of the Civil War,” Talkov said.

Instead of focusing completely on the men fighting in the Civil War, the commission wanted to bring light to the people on the home front, similar to the way the Rosie the Riveter icon brought attention to women during World War II.

Johnson said she greatly appreciated the fact that the exhibit didn’t tell the story of the Civil War battle by battle. As a former history teacher in Northern Kentucky, Johnson said she focused on the social and intellectual history of the Civil War when she taught. Johnson explained that she, too, focused more on the clothing, hairstyles, jewelry, dance and other types of cultural norms when teaching, similar to the way the Virginia Historical Society told the story of the Civil War.

Guild explained that each section of the exhibit poses a question that is meant to get the audience thinking about the Civil War in a different way. The Virginia Historical Society is looking past the usual version of the Civil War to tell the stories of those people whose accounts are not often shared with the public.

Talkov emphasized that he and others on the commission wanted to show how African-Americans were claiming their freedom when the war began.

Unfortunately, he explained there isn’t much material evidence to depict the escape from slavery, so the commission used firsthand accounts to create a simulation. According to Guild, the simulation allows the audience to take on the role of an enslaved African-American on their journey to freedom.

Ultimately, the Virginia Sesquicentennial of the American Civil War Commission is working to create a better picture of the Civil War for Virginians through the exhibits, conferences, and the history mobile. By traveling around the state, the exhibits will reach a variety of areas that were affected by the Civil War in different ways, and will try to educate the public about the war through the stories unique to those areas.

The gallery exhibit will remain at the Virginia Historical Society until Dec. 30, when it will begin traveling to other parts of the state. In January, half of the exhibit will be on display in Hampton and the other half will be displayed in Winchester.